Audience Rated by buyers PG (Parental Guidance Suggested)
Type of bind: Video On Demand
Release Date: December 10, 2008
Running Time: 101 minutes
Sale Popularity Level: 14936
Studio: Paramount
Theatrical Release Date: December 15, 1970
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Rated by buyers 
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I was very pleased the quality of the movie and the expedient service. Thank you!
Rated by buyers 
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'Love Story' was the talk of the town in it's day, but the years have not been too kind to the film. The story of the rich man meets poor girl is interesting enough, but the dialogue is a bit dated. O'Neal and MacGraw are appealing, but both characters have feeling of inadequacies that make them slightly irritating. In the end, the love between them is believable and heartfelt, insuring the finale being quite sad. The film score is so recognizable, it's like the definitive score for romance films! Look fast for a young Tommy Lee Jones! The DVD has a good transfer and the extras are interesting.
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I love, love, love this movie. This movie had my attention from beginning to end. It is a true love story and an example of a happy, healthy relationship between a man and a woman. I am not a professional movie critic, however, I know great cinematography when I see it, and "Love Story" is definitely great cinematography.
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The movies I grew up watching as a kid in the 70's all made deep impressions on me and I think it was mainly because they were all so beautifully scored. Born Free, and Brian's Song, to name a few, can make me tear up when I hear them just as they did when I was 8 years old. Once you see it and hear it you never forget it. When I hear the Love Story theme I immediately think of Ryan O'Neil sitting in the bleachers at the end of the movie. This may not be a five star movie but the last 15 minutes are as touching and thought provoking as you'll ever see. It puts life in perspective and shows what's really important.
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This film is sad.
This film is arrogant.
This film is simple.
This film is edited poorly.
This film means never having to say you're sorry.
These are just a few random thoughts conjured up while recently watching the 1970s blockbuster hit, "Love Story". It is the summer of blockbusters, and while $10 or more is a bit like paying for gas at the local Cineplex, this critic decided to watch old blockbusters in the comfort of his cool, quiet, and subdued home. Having read the book many years ago, I was eager to see how exactly it would translate onto the bigger screen. There was little action, little conflict, and even a smaller plot - it was, simply put, a "love story". Two Ivy-leaguers meet, they argue with their parents, they marry, and suddenly tragedy strikes. It is simple, like love - and it does translate well onto the screen with our two leads being Ryan O'Neal and Ali MacGraw. Together their chemistry is shattering, bring to life a small piece of Americana, and the depth of life. As Jennifer and Oliver pour their literal hearts out on screen, the issues of "Love Story", while not many, do break free and run rampant throughout. The lacking development, the clutter of language, the electric music, and the cheapened edits all culminate as utter distracts to this film. These errors pull from the story, creating a mediocre tale that could have been the greatest love story ever sold.
Let me begin by saying that as much criticism as I give "Love Story", it still (and probably will with another viewing) brought a tear to my eye. It is ultimately a story about the power of love, and even if you can see through the cliché language, parts of this film will remind you of a love you have or once had. It has sentimental value that presses on the right heartstrings at the right time. We can thank, and denounce at the same time, writer Erich Segal for this. His story takes us to love, but his words violently pull us away. Throughout this film, one cannot help but wonder if O'Neal and MacGraw read their lines off cue-cards behind them, or if the words coming from their mouths were to be staples of cliché for decades of romantic films to follow. In one corner we have a witty, independent woman who is not afraid to speak her mind, in the other corner, we have a guy who takes direction well - OK - I get that, but what else is there about these characters that we could learn about. If this is to be a talking film, let the words they speak to each other express their emotion stronger - or at least develop a subplot around them that allows the viewer to see all the dimensions of both Oliver and Jennifer. I knew their connections, but I finished this film without really knowing them. From the book, one could hear their inner-voice, without that in the film, we were lead on a one-sided voyage through love without any potholes or pitfalls. Each and every time a conflict occurred, simple words were spoken, we were taken to a new city, and we began our story all over again. With conflict comes resolution, and one cannot resolve with just one phrase - "Love means not having to say your sorry".
Clarification. The simplicity of this story is what kept me glued to the screen the entire hour and a half. The acting force behind O'Neal and MacGraw was consistent throughout, providing me with excited moments, emotional moments, and a heavy cardboard aftertaste. While their characters were enjoyable to watch, they lacked the depth needed to really pull further at my heartstrings. I knew what sort of characters they were, but they needed to take one more step to fully make me believe they were who they were pretending to be. Earlier I used the word arrogant when describing this film through free association. I use this word because I believe writer Segal and director Hiller knew what they had for audiences by the end of their film, they knew that if they kept these two one-dimensional characters together long enough; they would have the audiences coming back by the third act. To me, this ploy seemed arrogant of them. Give us more, give us characters, give us at least impressive scenery - but instead we were handed one phrase and tears. Not enough.
Not complaining, but the music could have benefited from either a dedicated theme song or a better composer, the strum of the piano chords never quite hit that level of emotion I needed to bawl my eyes out. The music was potent at first, but by the second act, it felt stale of overplayed. It wasn't the theme music of Oliver and Jennifer's love that could have further strengthened their relationship. Coupled with elaborately bad edits, our film stands solely on the doorstep of the actors. They are good, not quite great, but worth viewing merely for those small moments of joy where you feel like you are watching a film, not being a sinister voyeur on their lives. "Love Story" is a sad ... Read More
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