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Aspect Ratio: 2.35:1
Audience Rated by buyers PG-13 (Parental Guidance Suggested)
Type of bind: DVD
Brand: Warner Brothers
EAN num: 0026359441226
Format: AC-3, Closed-captioned, Color, Dolby, DVD-Video, Subtitled, Widescreen, NTSC
Label: Hbo Home Video
Manufacturer: Hbo Home Video
Quantity: 1
Publishing house: Hbo Home Video
Region Code: 1
Release Date: November 13, 2007
Running Time: 141 minutes
Sale Popularity Level: 1077
Studio: Hbo Home Video
Theatrical Release Date: 2007
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Editor's Notes and Comments:
Description:
Picturehouse and HBO Films present a critically-acclaimed biopic about the legendary international singing icon Edith Piaf, whose voice and talent captivated the world. Starring award-winner Marion Cotillard (A Very Long Engagement, A Good Year) in an astonishing performance, the film is a portrait of a remarkable artist born into poverty who survived using the only gift she had â€' her voice. Piaf’s tragic life was a constant battle to sing and survive, to live and love, with no regrets.
Amazon.com:
Edith Piaf is the subject of La Vie en Rose, director Olivier Dahan's powerful if emotionally redundant biographical film about the iconic French superstar whose life, as depicted here, seems to have been a numbing succession of tragedies interrupted on occasion by artistic triumph. Dahan's portrait begins with Piaf's stay in a brothel as a young girl. Left to the care of her grandmother (who runs the place) after her father pulls her away from a narcissistic mother, Piaf undergoes significant health problems and grows up to sing on the street in lieu of outright prostitution. The film pulses along with the usual biopic rhythms, with pivotal moments in the life of Piaf (played as an adult by Marion Cotillard) turning up regularly only to be smacked aside by the unseen hand of perpetual misfortune. There's the impresario (Gerard Depardieu) who recognizes Piaf's great but raw talent only to have a run-in with the criminal element around her. There's the heavyweight fighter (Marcel Cerdan) who becomes the love of Piaf's life but can't be with her. Drug addiction, random car accidents, tax problems, you name it, it's all here, topped by an unnerving revelation that pops up in La Vie en Rose's final moments. After awhile, with such a concentration of bad news squeezed into 140 minutes, one begins to wish Dahan had taken a more expansive approach to Piaf's life and times. But the film is never less than interesting, and the lead performance by Cotillard is often astonishing. --Tom Keogh
User popularity level:
Rated by buyers 
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La vie en Rose shows a summary of the Edith Piaf's Life. Her struggle against all the circumstances she had to live.
The Marion Cotillard performance deserves the best comments.
I recommend this movie.
Rated by buyers 
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You'll find the repeated complaint that this American release was cut and re-edited, and suffered as a result. I tend to believe those complaints, though I've only seen the American version. Again and again I had the feeling that something vital had been cut in order to produce a trendy hopscotch of life-moments. It might be taken, if the viewer so chooses, as the jumbled memories of the dying woman. Words are spoken, in fact, from the death bed, to that effect; Edith declares that she remembers only what she doesn't want to remember. The 'unprepared' revelation of her secret loss, in the last moments of the film, makes no sense as art or as biography. Likewise the death-or-murder that interrupts Edith's progress toward stardom is annoyingly vague in time and in narrative purpose. What's left, if you try to make orderly sense of the film, is a montage of griefs and losses, enough to drive anyone to drink and self-destruction. Is that what we're supposed to get from the film?
Marion Cotillard, taking full advantage of the fact that no one has any prior role-associations for her, does offer a virtuosic portrayal of a damaged personality. Whether that personality bears any resemblance to Edith Piaf isn't terribly important, unless you're a Piaf fan. You'll note that the reviewers here who announce their longtime adoration of Piaf tend to be extremely critical of Cotillard's representation. I'm never been a Piaf fan. In fact, I've always thought her singing was maudlin and exaggerated. I was quite ready to believe that the insufferable narcissist portrayed in the film was authentically the "Little Sparrow" at her normal ugliest. So she took a bad life and made the worst of it, despite her gifts. Why should we care?
Rated by buyers -
The incredible performance of marion cotillard as Edith Piaf is incredible.
The whole cast is fantastic and the movie catches each time period
accurately and expertly. The only downside is that this movie jumps
back and forth and in between parts of the troubled edith piafs life.
It makes it confusing even though you still can understand what is happening if you follow the movie closely. The movie is in French with
english subtitles but that shouldn't detour anyone from watching the story of this great singer. In todays world we have a very sad
situation of many singers who stand in front of sampled music like hip hop that has no real substance, Piaf belonged to the
world of real divas but like so many entertainers drugs destroyed her.
This movie shows her whole life from her childhood growing up under
sordid circumstances to her rise to superstardom and eventual fall.
This movie is good but it may take you a while to deal with the jumping around , this is a technique that I don't think ever works very well in a biography; but the actors and the story overcome this to give us a decent movie.
Rated by buyers 
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I'm quickly becoming a lover of French cinema and I really enjoyed films such as 1992's "Indochine" and 2002's Oscar darling "Amelie". "La Môme" ("La Vie En Rose" its US title) is another proud example of my hankering to hear a romantic language spoken amidst spectacular drama and the promised prize of a stupendous performance from Oscar-winning actress Marion Cotillard delivers - her role as the title character is one of the most affecting and heartbreaking I've seen in a long while.
The film traces revered French chanteuse Edith Piaf's life from her impoverished childhood all the way to her death in 1963 at the age of 47. Moving consistently between past and present, the film charts her ascendance from the street to the stage, her many loves and losses and her crippling dependence on alcohol and morphine, the former of which contributed to the liver cancer that caused her premature death. Piaf was a bleeding heart in the industry though she tried hard to conceal it in the beginning. Instead, her passion and grief would show itself through her balladry, her chagrin beautifully channeled in songs such as the more notable "La Vie en Rose", "Hymne à l'amour" and "Non, je ne regrette rien".
"La Môme" is rich in great performances from its actors, particularly that of Marion Cotillard. In the DVD's featurette, Cotillard says her goal in portraying Piaf was not to do an exact imitation, rather to try and understand her ultimate motivation, the depth of Piaf's heart and soul. It is for this reason that Cotillard manages to disarm the viewer with a portrayal of a woman who used brass to cover her vulnerability and fear, a woman who time and again had her heart broken but managed to stand tall despite it all and pour her heartache into song for her adoring fans. Excellent supporting players are Sylvie Testus as Piaf's close friend Mômone, Marc Barbé as the strict Raymond Asso and Emmanuelle Seigner as the maternal Titine.
Another strong point of the film is its incredible transformation of the comely Cotillard into the striking Piaf. A five-hour session in the makeup chair with makeup artist Didier Lavergne (who won an Oscar with Jan Archibald for his ingenious work on the film) metamorphosed Cotillard's angelic face into Piaf's distinguished visage, her scenes in the latter stages of Édith's life requiring her to shave her hairline back and shave her eyebrows off to pencil them in. The scenes of her as a woman aged well beyond her years (at only 44, she looked to be in her 70's) are breathtaking, Lavergne's fantastic work and Dahan's close-ups revealing nothing but the most convincing age-progression makeup ever seen on film.
As can be expected, the film is richly layered with Piaf's resonant vocals and confirms the singer's power to move her audience when renowned film actress Marlene Dietrich approaches her after a performance and says wistfully:
"I haven't been to Paris for ages. But this evening, when you were singing, Edith, I was there, in the streets, beneath its sky. Your voice is the soul of Paris. You took me on a journey. You made me cry."
Bottom line: The French - and ONLY the French - could've attempted a story on the magnificent drama of Édith Piaf's life, a woman who was idolized in her native country and whose puissant voice is forever synonymous with Parisian culture. A gem in every way, even a person who hates subtitles must look past it for a rare and perfect portrayal by Cotillard, a performance every bit worthy of her Oscar win. Like Piaf's own life, "La Môme" is extraordinary.
Rated by buyers -
My wife and I like the singing of Edith Piaf. When the DVD of a movie about Ms. Piaf came available, we bought it.
As we watched the performance, we sat in our chairs with our mouth agape. The acting is so superb as to whisk you back to Paris of the '30's with a young woman sining in the streets and dazzling her audiences.
Marion Cotillard won an Academy Award for this part and I know why. She is more than spectacular.
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