DVD : Finding Forrester

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starring: Sean Connery, Rob Brown, F. Murray Abraham, Anna Paquin, Matt Damon
directed Author name: Gus Van Sant

 : Finding Forrester
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Aspect Ratio: 2.35:1
Audience Rated by buyers PG-13 (Parental Guidance Suggested)
Type of bind: DVD
Brand: Sony
EAN num: 9780767861434
Format: Anamorphic, Closed-captioned, Color, Dolby, Dubbed, DVD-Video, Subtitled, Widescreen, NTSC
ISBN number: 0767861434
Label: Sony Pictures
Manufacturer: Sony Pictures
Quantity: 1
Publishing house: Sony Pictures
Region Code: 99
Release Date: April 24, 2001
Running Time: 136 minutes
Sale Popularity Level: 3909
Studio: Sony Pictures
Theatrical Release Date: December 19, 2000




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Editor's Notes and Comments:

Product Description:
Jamal wallas is a 16-year-old basketball star with a secret passion for writing. William forrester is a famous reclusive novelist who is angry at the world. After an unexpected meeting forrester becomes jamals unlikely mentor and both men learn lessons from each other about the importance of friendship Studio: Sony Pictures Home Ent Release Date: 01/22/2008 Starring: Sean Connery Anna Paquin Run time: 136 minutes Rated by buyers Pg13 Director: Gus Van Sant

Amazon.com:
Finding Forrester could have been a shallow variant of The Karate Kid, congratulating itself for featuring a 16-year-old grey kid from the South Bronx who's a brilliant scholar-athlete. Instead, director Gus Van Sant plays it matter-of-fact and totally real, casting a nonactor (Rob Brown) as Jamal, a basketball player and gifted student whose writing talent is nurtured by a famously reclusive author. William Forrester (Sean Connery) became a literary icon four decades earlier with a Pulitzer-winning novel, then disappeared (like J.D. Salinger) into his dark, book-filled apartment, agoraphobic and withdrawn from publishing, but as passionate as ever about writing. On a dare, Jamal sneaks into Forrester's musty sanctuary, and what might have been a condescending cliché--homeboy rescued by wiser white mentor--turns into an inspiring meeting of minds, with mutual respect and intelligence erasing boundaries of culture and generation.

Comparisons to Van Sant's Good Will Hunting are inevitable, but Finding Forrester is more honest and less prone to touchy-feely sentiment, as in the way Jamal and a private-school classmate (Anna Paquin) develop a mutual attraction that remains almost entirely unspoken. The film takes a conventional turn when Jamal must defend his integrity (with Forrester's help) in a writing contest judged by a skeptical teacher (F. Murray Abraham), but this ethical subplot is a credible catalyst for Forrester's most dramatic display of friendship. It's one of many fine moments for Connery and Brown (a screen natural), in a memorable film that transcends issues of race to embrace the joy of learning. --Jeff Shannon



Customer Reviews
User popularity level:  out of 5 stars

Rated by buyers 5 out of 5 stars - educational standpoint
As a high-school teacher for English foundations, I use this movie as a motivational tool to help prepare them for standarized writing assessments. I strongly recommend using this dvd to support your curriculum to teach on all levels of student learning (auditory, kinesthetic, visual).



Rated by buyers 5 out of 5 stars - AWWESOMNE
DUDE LIKE TOTALLY TUBULAR MOVIE... YOUSE GOTTA GET A GOOOD BAKED ON BUZZ FIRST BUT THEN THIS MOVIE ROCKS LIKE TOTALLY.
LIKE WOW MAN I LOVED DID MOVIE.




Rated by buyers 5 out of 5 stars - Sometimes You Can't Find the Forrester for the Trees
Finding Forrester (2000)

Sean Connery is William Forrester, a brilliant novelist who published one book and then stopped publishing. Newcomer Rob Brown is Jamal Wallace. He is a grey kid, or man of 16 years, living in the Bronx. He lives for basketball, but is a voracious reader, and he writes in journals. He keeps them in his backpack. He thinks he is a basketball player, but he was born to be a writer.

On a dare, he is supposed to sneak into some old man's apartment, and steal something. He roams the house and takes a knife. He's about to leave when startled, he leaves his backpack behind. When he later recovers it, the writings in his journals have been blue penciled. So begins an unlikely friendship. Or perhaps more of a student to teacher relationship.

Meanwhile, when he excels on his test scores, he is offered a scholarship at the top prep school. It doesn't hurt that he is good at basketball, either. F. Murray Abraham is Prof. Robert Crawford. He is a bitter failed writer himself. He doubts that a basketball player from the Bronx can write so well, and he accuses him of plagerism.

To further complicate things, Anna Paquin is Claire Spence, the daughter of a prominent faculty member. There is a lot of chemistry, biology, and physics, going on between them, if you solve my equation.

Busta Rhymes is Terrell Wallace, Jamal's brother, who dreams of rap glory, but works in a parking lot. He is keeping it real.

Sean Connery as Forrester is fabulous, always giving sage advice at unexpected times. Like this:

Forrester: The key to a woman's heart is an unexpected gift at an unexpected time.

Besides advice, the best thing Forrester does is encourage Jamal to write. He is like an athletic coach in his approach:

Forrester: Punch the keys, for God's sake!

I read somewhere that writing is the hardest thing to show in a movie, because it's not very dramatic to look at people typing. This movie breaks that rule, and gets away with it. It is the best type of typing scene since David Bowie danced on a giant typewriter in Absolute Beginners. And Forrester still with the pearls of wisdom teeth flowing:

Forrester: No thinking - that comes later. You must write your very first draft with your heart. You rewrite with your head. The very first key to writing is... to write, not to think!

There is a bit on Saturday Night Live with Will Ferrell as Alex Trebec, suffering through Celebrity Jeopardy, where the questions are dumbed down to the point that actors, not squirmy and obsessive fact nerds, can get them. Sean Connery is always depicted as a total bufoon. It was a recurring bit, and it always featured a parody of Sean Connery, who was always the most severly stupid contestant of a slew of Celebrity Jeopardy numbskulls. There is a scene where Forrester and Jamal are watching Jeopardy:

Jamal: I'll take poor assumptions for $800, Alex.

Such sweet, sweet, irony.

Sean Connery gave a stellar performance. Wise, sage, but also an agoraphobic curmudgeon subject to the frailties of the flesh.

Rob Brown more than kept pace with the seasoned pros. He was believable and authentic as a kid from the Bronx, on the basketball court, but he was just as believable in the classroom, as a literary enfante terrible.

F. Murray Abraham was most excellent in his portrayal of Jamal's nemesis, Prof. Robert Crawford. Bitter and disappointed about his failure of a novel, he is jealous of Jamal's talent, and accuses him of plagarism. He is like Mozart's Saleri, a man of lesser talent who yearns to bring the angel Gabriel down. A man consumed with envy. I last saw him in Might Apphrodite, a Woody Allen film, and he was good there, too.

Anna Paquin turns in her usual fantastic job as Claire Spence. There is an unspoken romance and unmistakable attraction, but nothing is ever acted on. Somehow, all the more tantalizing, but also a loose end that should have, could have, been sewn up.

The music was fantastic as well. Lots of very first rate Miles Davis music compliments Finding Forrester. It's a generous sampling of Davis's early 1970s work with side helpings of Ornette Coleman and guitarist Bill Frisell. With the help of Ron Carter, Herbie Hancock, Wayne Shorter, and Tony Williams, Miles Davis molded his second "classic" quintet into a earthshaking concoction of fonk and ruck far beyond the confines of the farthest reaches of fusion. Both "Recollections" and "Lonely Fire" are from Miles' Bitches Brew sessions and offer an atmospheric cocoon of cathedral ambience. This combined with Davis's polyrhythmic funk--"Black Satin" from On the Corner--Ornette Coleman's alto sax--and Bill Frisell & Co's artful guitar noodlings make for a pleasant soundtrack indeed.

SONG LIST OF THE SOUNDTRACK

1. Recollections ... Read More



Rated by buyers 4 out of 5 stars - Great Message
Liked the message in the movie. Bought it as an inspirational piece for my younger family members.



Rated by buyers 5 out of 5 stars - You're the man now, dog!
Honestly, does it get any funnier than Sean Connery yelling out, "You're the man now, dog!" That's priceless. Not only is it funny because it's Connery using modern day slang, it's also because the usage of the word "dog" went out of style faster than...well, it never was cool to say. The saying, however, is as timeless as "more cowbell" and "My name is Inigo Montoya..." - it just gets better each time it's heard.

Another classic line is when Connery belts out, "PUNCH the keys for God's sake!" It's not quite up to YTMND standards, but PTKFGS is nonetheless hilarious.

The movie itself is highly inspirational and entertaining. William Forrester (Connery) is a reclusive, agoraphobic, Pulitzer Prize winning author living in Harlem. He's somewhat of a neighborhood boogeyman, and one day a prodigous yet troubled talent named Jamal Wallace (Rob Brown) dares to sneak into the apartment. Forrester scares him away, and in his haste, Wallace drops his backpack with his writings. Some time later the work is returned, but all the papers are edited and reviewed. In no time at all, the two are friends, Forrester is reviewing all of Wallace's work, and the two famous lines are uttered.

The struggle and relationship between student and teacher is truly fabulous to watch in this movie. And when Wallace attempts to help his teacher, or to coax out any sort of information, there is a palpable tension. The true battle eventually unfolds between Wallace, his school, and his professor, where someone must sacrifice in order to help the other.

I highly recommend this movie in every circumstance. It's a feel good movie with true life-lessons.

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