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Aspect Ratio: 1.85:1
Audience Rated by buyers PG (Parental Guidance Suggested)
Type of bind: DVD
Brand: Sony
EAN num: 9780767844901
Format: Anamorphic, Closed-captioned, Color, DVD-Video, Full Screen, Widescreen, NTSC
ISBN number: 0767844904
Label: Sony Pictures
Manufacturer: Sony Pictures
Quantity: 1
Publishing house: Sony Pictures
Region Code: 1
Release Date: April 25, 2000
Running Time: 84 minutes
Sale Popularity Level: 17036
Studio: Sony Pictures
Theatrical Release Date: 1974
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Product Description:
Cult favorite about the life and times of brooklyns coolest high school gang circa 1957. Special features: subtitles in english spanish portuguese chinese korean and thai scene selections theatrical trailers talent files interactive menus fullscreen and widescreen versions and much more. Studio: Sony Pictures Home Ent Release Date: 12/07/2004 Starring: Sylvester Stallone Henry Winkler Run time: 84 minutes Rated by buyers Pg
Amazon.com:
When The Lords of Flatbush was released in 1974, Sylvester Stallone was still an unknown actor polishing his screenplay for Rocky, and Henry Winkler was approaching TV superstardom as 'Fonzie' in the very first season of Happy Days. In this modest, low-budget feature, they play second and third fiddle (respectively) to Perry King, whose respectable career, ironically, would never reach such stratospheric heights. As for their costar and diminutive fourth 'Lord of Flatbush,' Paul Mace appeared in only one more movie after this (Stallone's Paradise Alley), and was killed in a 1983 traffic accident at the age of 33. Such is the random nature of fame and fate.
The movie itself is noteworthy mostly for the pre-stardom appearances of Stallone and Winkler, and a strong costarring role for that most ubiquitous of '70s actresses, Susan Blakely. Despite its amateurish style, muddy sound quality, and rambling scenes that have casual appeal but minimal narrative momentum, the movie is blessed with laid-back authenticity, recognizing the value of awkward pauses and jumpy rhythms of conversation. The ensemble of self-named Lords--four leather-clad rebels in 1957 Brooklyn, moving reluctantly toward adulthood--is solidly cast, and even the most familiar scenes (like making out at a drive-in showing From Here to Eternity) ring with engaging truth. Codirector Martin Davidson later covered similar territory in Eddie and the Cruisers, and Barry Levinson transcended this shoestring affair with his 1980 classic Diner, but The Lords of Flatbush stands on its own as an earnest and lightly entertaining drama that boosted its costars to bigger and better things. --Jeff Shannon
User popularity level:
Rated by buyers 
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So glad to have this little gem of a movie on DVD in Anamorphic Widescreen format,the picture is a bit soft and the sound could be better,but this is a very low budget film about life in the 50's(simialr to American Graffiti),so it looks fine enough for me,some better extras would have been nice(all that's included are a very rough looking original theatrical traier and some bios for a few of the stars,and 2 so called bonus trailers for the films Bugsy and La Bamba(,but overall a fine DVD,much better than VHS!!! See Sylvester Stallone before is Rocky role(actully if watch the film,he's starting to bulk up and you even will see him using a hand grip in one scene,hmm getting prepared to go the distance,he would make to classic Death Race 2000 next,next is a pre Fonzie Henry Winkler,also in "Lords" gang are Perry King and Paul Mace,other fimilair faces are also present including Susan Blakely,Paul Jabara,Dolph Sweet,Ray Sharky and Armand Assante spelled in the closing credits as Assanti. A great little cult claasic full of stellar preformances!!! Two thumbs up!!! A+
Rated by buyers -
This is a pretty good movie. It is pre-grease, for those who are wondering. Grease actually came out a year after this was made. Here's a little tidbit of information, the character Stalone played-Stanley Rosiello, is what the Happy Days crew based Henry Winkler's character-The Fonz, off of.
Rated by buyers -
This disjointed look into the mentality of four not-so bright shop class dropouts is unforgettable in that it captures all the hormonal angst and harmless thuggery of growing up in the 50's. It was a bygone era, where greasing up your hair and riding a motorcycle predated today's sideshows and drivebys. Stallone and King are unforgettable in their honest portrayals without a hint of selfconsciousness. Their girlfriends are as dimwitted as they are. Susan Blakely as the well-to-do girl interested in Perry King plays the role perfectly and honestly. Whether you're a Stallone fan , are into the 50's, or just want to laugh uncontrollably, don't miss this one!
Rated by buyers -
I grew up in Philadelphia and I remember guys like this Brooklyn quartet.
This is a hard-to-find film, but well worth it. I remember very first seeing "The Lords Of Flatbush" at the theatre and when it came out on DVD, I was glad to eventually get my own copy. This is a "historical" film since it was the starting point for most, if not all, of the main characters. The actors' dress, hair styles, language, cigarette smoking, toothpick chewing, girlfriends and situations are "timely"... and the cars are wonderful. I flashed back! "Cool, Cats....Cool"
Rated by buyers 
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This is one of the weaker efforts that emerged from the nostalgia craze of the 1970s. It is interesting to see the work of a very young Sylvester Stallone and Henry Winkler, and as one might expect, Winkler shows great potential while Stallone's performance is excruciating to watch. The young ladies who play Stallone's love interest and her best friend are hilarious Brooklyn stereotypes. Beyond this, however, the film is nearly unwatchable. The very first half hour is a series of pointless vignettes meant to establish that the Lords (a quartet of New York street toughs) are indeed some dangerous dudes. The rest of the movie tries, in a ham-handed way, to cobble together some sort of character development, by showing that these four fellas have feelings and are sorta sensitive beneath the surface. To this end, a bizarre scene is inserted in which Sly Stallone waxes philosophical to his pal Chico about letting one's mind fly free, while standing in a coop of homing pigeons. As in many of his future performances, his character inexplicably flies into a sputtering rage and comes across as either mentally retarded or brain-damaged.
The film's lighting is shadowy and amateurish, and the camerawork and editing could have easily been done more effectively by chimpanzees or even mountain gorillas. The sound recording and mixing is at a high-school skill level, with the grating 1970s quasi-doo-wop music completely drowning out important dialogue at several points. (Apparently they couldn't afford the licensing of actual hits from the era... whichever era it is supposed to be... 50s?.. 60s?) And the clumsy closing montage, with its syrupy music and series of random stills from the movie we have just endured, is unintentionally hilarious, sort of like those ponderous Powerpoint slide shows that they show these days at high school graduations.
If you are a die-hard fan of Stallone or Winkler, and want to see them in their very first big break, you might want to check this out. The only other reason to watch this flick would be for the unintended laugh value.
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