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Type of bind: Hardcover
Dewey Decimal Number: 920
EAN num: 9781844671960
ISBN number: 1844671968
Label: Verso
Manufacturer: Verso
Quantity: 1
Page Count: 288
Printing Date: December 24, 2007
Publishing house: Verso
Sale Popularity Level: 261671
Studio: Verso
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Editor's Notes and Comments:
Product Description:
An absorbing selection of Walter Benjamin's personal manuscripts, images, and documents from his own collection.
The works of the great literary and cultural critic Walter Benjamin are a reservoir of texts, commentaries, scraps and fragments of everyday life, arts and dreams. This beautifully designed book gives an insight into Benjamin's habits of collecting and archiving through some of his most personal documents. From notebooks in which every conceivable space is covered with handwriting, and a heartfelt traveller's series of postcards, to a sequence of Benjamin's own photographs, and lists that include a collection of his son Stefan's early words and sentences, this wonderful collection testifies to Benjamin's complex and kaleidoscopic passion for the ephemera of human life. Illustrated throughout in colour and b/w.
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Rated by buyers 
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Amazon's star rating system goes askew on this book.
If you are a devoted fan of Walter Benjamin, then it is essential. On the other hand, if you are like me---who has never read Mr. Benjamin's works ---then it won't be such a useful purchase.
Without a flowing textual narrative, this book provides detailed examples of the scraps and notes kept by Mr. Benjamin, who was a compulsive hoarder of all mundane things tied to his highly intellectual pursuits during most of the very first half of the last century
Rated by buyers 
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It's always wonderful to look into a book or magazine that consists largely of photographs of pages from other books, partly because nothing photographs better,and partly because you are seeing the page in something both like and unlike its native habitat, like an animal in the better kind of zoo.
Because the texts are presented this way, as photographs of autographs (notebooks, postcards, trial drafts of essays, collected photographs with notations), the distance between reader and author is inescapable. Often, when we see a famous text (sometimes,e.g when it's newly translated into contemporary language), we will remark on how contemporary the story feels, how the writer, long dead, feels like someone you know or could know. But with pages like these, the patina of time is present, and so is all of the strangeness of the writer, as much as is left. There's nothing like a trip to the archives to get your bearings relative to a writer; to locate him/her in time, and to feel the presence of time, both as the writer felt it in gathering these scraps together, and as you feel it now.
My favorite image from Benjamin's writing is the Angel of History, who is pinned in the air, blown back and upright by a wind from Paradise (from the Beginning), while all the garbage of every passing moment piles up at her feet. Something like a librarian. Being the angel of history makes movement difficult if not impossible, even when you have to leave Germany to save your life. You can read about that, but it's wonderful to have a chance to see pages from those books. If you're a Benjamin completionist, you will need to buy this book, but even if all you've read are the essays in Arendt's little collection, you will enjoy the added sense of the presence and loss of their author, just the same.
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