Books : The Well of Loneliness: A 1920s Classic of Lesbian Fiction

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Author name: Radclyffe Hall

 : The Well of Loneliness: A 1920s Classic of Lesbian Fiction
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Type of bind: Paperback
Dewey Decimal Number: 823.912
EAN num: 9780385416092
ISBN number: 0385416091
Label: Anchor
Manufacturer: Anchor
Quantity: 1
Page Count: 448
Printing Date: October 18, 1990
Publishing house: Anchor
Release Date: October 18, 1990
Sale Popularity Level: 34534
Studio: Anchor




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Editor's Notes and Comments:

Product Description:
First published in 1928, this timeless portrayal of lesbian love is now a classic. The thinly disguised story of Hall's own life, it was banned outright upon publication and almost ruined her literary career.



Customer Reviews
User popularity level:  out of 5 stars

Rated by buyers 5 out of 5 stars - Fast and easy purchase
Purchased the book and within three days received it. Great, fast, consistent, service. Thank you.



Rated by buyers 5 out of 5 stars - Truly Thought Provoking
I am usually a fast reader, however, it has taken me about a week to finish this book, simply because after reading a few pages, I begin to think about some of the deeper questions asked in the novel. It almost makes me sick to have graduated college, I think this book would be a great discusion piece in some of the literature/ sexual identity classes I took. I think this novel is important for everyone to read.





Rated by buyers 5 out of 5 stars - Classic
This is a wonderful book for those interested in LGBT history. Though it has mostly been considered a lesbian book, it also explores the world of gender nonconformity and trans.
I highly recommend it.



Rated by buyers 5 out of 5 stars - To Julia
Thanks for your in depth review, Julia.

But STOP SHOUTING.

You do know that all capital means "shouting" in web posting, don't you?



Rated by buyers 5 out of 5 stars - extremely well written romantic tragedy
The very first thing I noticed about Radclyffe Hall's "The Well of Loneliness," was the beautiful descriptive exposition. Before the novel delves too far into modernism, it is apparent that it is hedging out the Victorian. Descriptions of the English countryside, of London and of Paris are some of the finest written in English. Not only this but the painstaking care the Hall takes to describe her characters, though even Stephen remains a bit fuzzy to me, are lovely and purposeful. Her sense of loss, loneliness and love are extremely powerful and extremely well conveyed.

That being said, the bravery it took to write the very first English- language novel that addressed "invertedness," in Stephen's case butch-lesbian identity and, overall, homosexuality, is incredible. It is hard to be absolutely disappointed with the author for the ending of the novel, particularly since it seems to be semi-authobiographic. Given the time period, the ending was likely collateral in exchange for being published. Without giving it away, I'll simply add that I felt sad for the world and defiant, and these not unexpected emotions after a 500 page journey that included happiness and hope, depseration and anxiety. To be cliche, it reminds one of how far we've come with civil rights and yet how very far we still must go.

Like some of fellow modernist writer Fitzgerald's characters, Hall's character is wealthy and priveledged and yet likeable. One is inclined to empathize with her situation at most points, and when not, it is easy to become enraged at the world and not Stephen. It's amazing that book was published in the late 20's, and yet problems like those the characters encountered in "The Well of Loneliness" still exist -- we are still fighting to be able to "protect" and "provide security" to those we love.

This book is an amazing journey. If it is slow moving, it is only because it encompasses over 30 years, years which are necessary to fully understanding the social world that "freaks" like us are still only allowed limited acess to. This is worth reading no matter what type of outcast you consider yoursel to be. There is much comfort even in feeling one is not alone. So, thanks, Radclyffe.

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