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Aspect Ratio: 2.40:1
Audience Rated by buyers R (Restricted)
Type of bind: Blu-ray
Brand: 20th Century
EAN num: 0024543525905
Format: AC-3, Color, Dolby, DTS Surround Sound, Dubbed, Special Edition, Subtitled, Widescreen
Label: 20th Century Fox
Manufacturer: 20th Century Fox
Quantity: 2
Publishing house: 20th Century Fox
Release Date: August 19, 2008
Running Time: 109 minutes
Sale Popularity Level: 1731
Studio: 20th Century Fox
Theatrical Release Date: 2008
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Editor's Notes and Comments:
Description:
Disc 1: **Widescreen Feature Film **Commentary by Director David Ayer **Commentary by Forest Whitaker and Keanu Reeves **15 Deleted Scenes **10 Alternate Tracks **5 Vignettes **4 Behind The Scenes **Street Rules: Rolling with David Ayer and Jaime Fitz Simons **La Bete Noir: Writing Street Kings **Street Cred **Under Surveillance: Inside the World of Street Kings **HBO First Look- City of Fallen Angels: Making Street Kings
Disc 2: Digital Copy
Amazon.com:
Street Kings is a pungent bouquet of corruption, violence, multi-ethnic mayhem, macho glee laced with macho angst, and fluorescently obscene dialogue from the mind of James Ellroy. Its hero, though he'd scarcely consent to be called one, is L.A. police detective Tom Ludlow (Keanu Reeves), for whom life is a wound that won't heal and dealing out retribution to scumbags is the ongoing treatment. Ludlow's the star player--'the tip of the [expletive] spear'--on a team of detectives headed by Capt. Jack Wander (Forest Whitaker). Coach Wander relies on his boys to keep breaking lurid cases, usually through deeply darkside underground work, and raising his profile with the media and the department. In pursuit of these goals, nothing is forbidden except failure, and the truth is what you make it look like. This is familiar Ellroy territory, most effectively translated to the screen in L.A. Confidential (which should have won the 1997 Oscar, and would have if Titanic hadn't launched that year). If you know Ellroy's ground game, you can pretty much guess where Street Kings is going, and where it's been. Still, the twists and torques of its urban road-rage course maintain the centrifugal force needed to hold us in our seats (a tactical highlight: refrigerator adapted as rolling barricade), and the movie keeps bopping us with oddball casting coups: comic Jay Mohr and Northern Exposure/Sex and the City veteran John Corbett as two members of Coach Warden's gonzo detective squad; Cedric the Entertainer doing a nicely nuanced turn as a street creature; Hugh Laurie doing a less-hyper version of House, if House worked Internal Affairs.
The problem is that director David Ayer keeps everything intense. Dialogues are shot too close-up, line readings are too strident, the action is too nonstop slam. Recall Curtis Hanson's L.A. Confidential and the mind's eye summons up a whole spectrum of existence, mood, place, historical period, emotional investment; there's an amplitude to the picture and the sensibility bringing it to us, something besides the whodunit and the endless rap sheet of nasty what-they-done. Everything in Street Kings is one-note, and with Keanu Reeves playing it implosive and Forest Whitaker locked in crazier-than-an-outhouse-rat mode, that's no way to stay the course. --Richard T. Jameson
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Stills from Street Kings (Click for larger image)
User popularity level:

Rated by buyers
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"Street Kings" is a gritty tale about police corruption. David Ayer who wrote the screenplay for "S.W.A.T." and contributed to the script of "Training Day" directs. Keanu Reeves shifts from a romantic lead in The Lake House (Widescreen Edition) to this action-packed character-based drama. Reeves has the distinction of being nominated six times for Worst Actor awards at the Razzies without ever winning [or should I say "losing"]! As Tom Ludlow, we see standard Reeves, close to his personality, intense, but interesting to watch. His boss is played by Forest Whitaker who assumes a less than likable role, similar to the award winning portrayal of Idi Amin in The Last King of Scotland (Widescreen Edition). Hugh Laurie from TV's "House" plays internal affairs' Capt. Biggs. Laurie plays well in the supporting role, neither stealing the limelight nor allowing his scenes to go unnoticed. The ending reversal where he hands Ludlow back his gun is effective. Chris Evans from "The Fantastic Four" comes to this realistic drama and holds his own with Reeves as Detective Diskant. His death scene may be one of his best moments on film. Cedric the Entertainer plays Scribble who drives a vintage convertible & makes connections for Ludlow. Common who was also in "Wanted" plays the trigger-happy Coates with nervous abandon. John Corbett -- who I frequently confuse with Ben Affleck for some reason -- does a good job as Detective Dante Demille who winds up with a shank through his lip while driving. Jay Mohr from TV's "Ghost Whisperer" and who I also recently saw in Even Money does a journeyman's job as Sergeant Mike Clady. He is particularly effective as he assaults Linda Washington, a police widow, played by Naomi Harris who was in Pirates of the Caribbean - At World's End (Widescreen Edition). Ludlow seems to keep getting shot or scraped and needs nursing from Grace Garcia, well played by Martha Higareda who was in Volver. "Street Kings" is a well done gritty police drama. It is shot starkly by Ayer, but moves briskly. While it is a story that has similar genre films to which it may be compared, it is a decent story well played. Enjoy!
Rated by buyers
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Predictable plot, a little overacting here and there. Not too bad. If you're into shooting you'll notice that Keanu's character has had a little training. I liked it overall.
Rated by buyers
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This is the movie that i will recommend people who like simple action movie.
The picture and sound quality of the bluray version is superb!!!
Rated by buyers
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I did not know if was possible for older music to come in CD form. The product was great and the timing perfect. The person I got it for is already playing it in her car everywhere she goes.
Rated by buyers
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The screen play written by James Ellroy is about a troubled cop, a dirty but effective unit in the troubled LAPD and of course corruption that goes (da da dum) ALL THE WAY TO THE TOP. To paraphrase David Spade's Hollywood Minute - I liked it better the very first time......when it was called "L. A. Confidential".
Still, if you like movies about cops and bad guys and don't want to watch LA Confidential again, this is a pretty good take on a story we never seem to get tired of watching. Its essentially the same story Ellroy has been writing since he began. Good cops trying to do the right thing in a bad world and having to answer the age old question "where does it all end? who polices the police?" At times I thought the story was going to devolve into a liberal PC morality lesson where the only bad guys are the cops and everyone else is an innocent victim, even the perps. Ellroy is too seasoned a writer to not give us a good story and a mystery. This movie may not be a classic and there's nothing really new here but it's a good re-telling of the troubled/dirty cop story.
And if that's the kind of thing you like, then you're going to like this kind of thing. Very watchable and engaging. The very first extended sequence scene is particularly good starting with Keanu waking up and ending at the gang house. This seems to be a trademark of Ellroy in which the story is comprised of a sequence of gripping and compelling scenes and even though the ending maybe predictable, its a good ride.
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