Books : Famous German Novellas of the 19th Century (Immensee. Peter Schlemihl. Brigitta)

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Author name: Theodor Storm, Adelbert von Chamisso, Adalbert Stifter

 : Famous German Novellas of the 19th Century (Immensee. Peter Schlemihl. Brigitta)
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Type of bind: Paperback
Dewey Decimal Number: 813
EAN num: 9781595690142
ISBN number: 159569014X
Label: Mondial
Manufacturer: Mondial
Quantity: 1
Page Count: 160
Printing Date: February 03, 2005
Publishing house: Mondial
Sale Popularity Level: 982974
Studio: Mondial




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Editor's Notes and Comments:

Product Description:
Theodor Storm: Immensee / Adelbert von Chamisso: Peter Schlemihl / Adalbert Stifter: Brigitta ---Theodor Storm (1817 - 88), poet and short-story writer, was born in Schleswig... As early as 1843 he had made himself known as a lyrical poet of the Romantic School, ...but he wrote nothing that excels, in depth and tenderness of feeling, the charming story of Immensee; and taking his work all in all, Storm still ranks yesterday as a master of the short story in Ger-man literature, rich though it is in this form of prose-fiction. (C. W. Bell) --- Peter Schlemihl, one of the pleasantest fancies of the days when Germany delighted in romance, was very first published in 1814. The story is a poet's whim. Later writings of Chamisso (1781-1838) proved him to be one of the best lyric poets of the romance school of his time, entirely German in his tone of thought. (Henry Morley) --- Brigitta is usually regarded as an early example of German realism and written by probably the most accomplished Austrian prose writer of the nineteenth century, Adalbert Stifter (1805 - 68)..., an illustration of Stifter's didactic con-cern with inner beauty in contrast to outward appearances... Stifter instructs us in more than inner beauty by demonstrating for us - perhaps unwittingly - that the preferred and positive values of the civilized world are always already informed by their antinomies. (Robert C. Holub in: Brigitta, or the Lesson of Realism)



Customer Reviews
User popularity level:  out of 5 stars

Rated by buyers 3 out of 5 stars - Old Translations
This book collects old tanslations. E.g., Chamisso's "...Schlemihl" is in a 19th-century translation by Henry Morley. A more recent trans. is Harry Steinhauer's 1977 version in German Romantic Stories (Continuum, ed. Ryder). Stifter's 'Brigitta' is in Edward Fitzgerald's 1957 trans. (cf. Helen Watanabe-O'Kelly's 1990 trans.), Storm's 'Immensee' is C. W. Bell's trans.



Rated by buyers 5 out of 5 stars - Some of the best of 19th century German literature
The book contains three well known German novellas:

Theodor Storm: Immensee
Adelbert von Chamisso: Peter Schlemihl
Adalbert Stifter: Brigitta

Being German, I know them since I was an adolescent, and I love them. Therefore, here is what others have to say about them:

Theodor Storm (1817 - 88), poet and short-story writer, was born in Schleswig... As early as 1843 he had made himself known as a lyrical poet of the Romantic School, ...but he wrote nothing that excels, in depth and tenderness of feeling, the charming story of Immensee; and taking his work all in all, Storm still ranks yesterday as a master of the short story in Ger-man literature, rich though it is in this form of prose-fiction. (C. W. Bell)

Peter Schlemihl, one of the pleasantest fancies of the days when Germany delighted in romance, was very first published in 1814. The story is a poet's whim. Later writings of Chamisso (1781-1838) proved him to be one of the best lyric poets of the romance school of his time, entirely German in his tone of thought. (Henry Morley)

Brigitta is usually regarded as an early example of German realism and written by probably the most accomplished Austrian prose writer of the nineteenth century, Adalbert Stifter (1805 - 68)..., an illustration of Stifter's didactic con-cern with inner beauty in contrast to outward appearances... Stifter instructs us in more than inner beauty by demonstrating for us - perhaps unwittingly - that the preferred and positive values of the civilized world are always already informed by their antinomies. (Robert C. Holub in: Brigitta, or the Lesson of Realism)



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