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Type of bind: Paperback
Dewey Decimal Number: 813
EAN num: 9781573831109
ISBN number: 1573831107
Label: Regent College Publishing
Manufacturer: Regent College Publishing
Quantity: 1
Page Count: 296
Printing Date: November 11, 2002
Publishing house: Regent College Publishing
Sale Popularity Level: 310304
Studio: Regent College Publishing
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Product Description:
Charles Williams had a genius for choosing strange and exciting themes for his novels and making them believable and profoundly suggestive of spiritual truths. All Hallows' Eve is the story of a man and woman whose love was so great it could bridge the gap of death; of evil so terrible as to be unmentionable, of a vision so beautiful it must be true.
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I had heard so much hype about this supposedly fantastic author and was hugely disappointed. I had to force myself to finish the book, unnecessarily wordy, taking away from the story line or moral message he was trying to get across. This made what could have been an interesting story a very boring story. It was just steeped w/ very heavy spiritual symbolism that you'd have to be Dante to figure out. I was embarrassed that I had recommended it for our Halloween pick for my book club. Of what use is a spiritual message if you can't even bring yourself to read it?
Rated by buyers 
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This is one of the greatest novels I've ever been forced to read in school. I recommend to all of my friends after having read it in my upper-level undergraduate Literature class. Read this book!
Rated by buyers -
This is a ghost story, but not a horror story. You may get chills reading it, but not always from "the creeps". On the other hand, you may finish it wondering just what the heck you just read. I submit to you All Hallows' Eve-- definitely not for everybody.
All Hallows' Eve is Charles Williams' last novel, written and set in WW2 England. It starts shortly after the tragic deaths of two women friends, Evalyn and Lester, in a bizarre collision, and neither is aware at very first that they have died. They wander a weirdly deserted London separately for a brief time before meeting up, which gives the author an opportunity to focus on Lester's inner spiritual journey as she slowly confronts some unattractive truths about herself and her important relationships with her husband and her friends. In a separate but intersecting storyarc, Lester's surviving husband and his artist friend cross paths with a popular cult leader, Simon Le Clerc. This disturbing figure has a hidden past that is revealed only to us, the readers, as the plot unfolds. He is shaping up to be something not unlike an antichrist of sorts who is conducting covert, occultic experiments on the artist's love interest, Betty Wallingford, who is the daughter of one of Le Clerc's most devoted followers.
Williams makes use of Betty's nighttime passages to scratch the surface of an alternate universe which Evelyn, Lester and (presumably) other newly-deceased inhabit. It is simply described as the City, and although it bears a surface resemblance to London, it is more of an infrastructure to London, or perhaps the Platonic Ideal of London...possibly something more. Many things in this realm tantalize us with glimpses of hidden spiritual truths, and time itself seems to have no linear requirement; past, present and future flashbacks occur without regard to conventional order. I was left with the sense that I would have liked to discover more about this City, and as this is my very first Williams novel, who knows..he may indeed refer to it in his other stories.
I'm not sure what sort of person would be best prepared to read this final Charles Williams novel. The author (an Anglican, or so I've read) clearly gives his audience much credit, as he allows us to draw our own conclusions about either the allegorical or the literal truths he dallies with along the storyline; he never force-feeds or "preaches". Somebody moderately educated in various religious history and/or theology would recognize a lot of the hints and references Williams makes along the way to telling his story. I wouldn't say that you must be a Christian to appreciate it, but it might help. On the other hand, I would only recommend this book to a mature Christian who has some direct study of the bible under his belt and yet a non-legalistic attitude toward their christian fiction. Certainly the reader would benefit from an ability to appreciate mysticism.
All Hallows' Eve was recommended to me by A Reader's Delight, which appeals to readers who crave rare literary treasures from various genres. Williams' writing style is rich and many-layered, so that I may have to read All Hallows' Eve several times to extract everything I should from it in time. Take that under advisement, and if the shoe fits, do try.
-Andrea, aka Merribelle
Rated by buyers -
A decent "purgatorial" novel about the redemption of a soul and what it takes. I often found myself thinking of Lewis's space trilogy during the read especially the last volume. I'd put this on a reading list of books about the theology of purgation; The Divine Comedy, The Great Divorce, etc.
At times I found Williams writing style a bit thick but I suspect that was intentional. I particularly enjoyed what seemed to be a slam on logical positivism and literary post-modernism in the character of the clerk.
Some classify this as horror and perhaps it is but it wasn't really scary to me. In fact, the clerk just winds up looking like a boob. Maybe the scariest thing about it is the choice one of the characters makes for hell.
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Although Williams was a member of the Inklings group, the work of C.S. Lewis and Tolkein are worlds apart from Williams' writing. Finding any Christian reference takes work, but the occult is quite abundant. An understanding of his cult group (Knights of the Rose?--akin to the Masons) would have helped us decipher some of his meanings.
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