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Type of bind: Paperback
Dewey Decimal Number: 709
EAN num: 9780919616424
Format: Illustrated
ISBN number: 0919616429
Label: The Press of the Nova Scotia College of Art and Design
Manufacturer: The Press of the Nova Scotia College of Art and Design
Quantity: 1
Page Count: 240
Printing Date: February 15, 2005
Publishing house: The Press of the Nova Scotia College of Art and Design
Release Date: February 15, 2005
Sale Popularity Level: 542702
Studio: The Press of the Nova Scotia College of Art and Design
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Product Description:
Originally published in 1975, this collection of Donald Judd's writings is a sought-after classic. His uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 'Specific Objects' essay, discussions of sculptural thought in the 60s, is included as well as Judd's notorious polemical essay, 'Imperialism, Nationalism, Regionalism.'
Paperback, 8.5 x 11 in./240 pgs / 300 b&w.
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Rated by buyers
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This is the book that I have wanted, for it had been out of print for a long time.
For students majoring contemporary art, this book is a must, that is the original source of contemporary art during the 1960s, including "Minimal Art: A Critical Anthology" ed. by Gregory Battcock.
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