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Type of bind: Paperback
Dewey Decimal Number: 741
EAN num: 9780785114932
ISBN number: 0785114939
Label: Marvel Comics
Manufacturer: Marvel Comics
Quantity: 1
Page Count: 144
Printing Date: May 25, 2005
Publishing house: Marvel Comics
Sale Popularity Level: 216554
Studio: Marvel Comics
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Product Description:
The deadliest agent in the Marvel Universe has finally gotten out of the spy game, and she's not asking for much, just a life of her own. When a sudden assassination endeavor provides a harsh reality check, the former Soviet agent tracks a string of international killings that will lead her back to a Russia she can barely recognize. Collects Black Widow #1-6.
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Rated by buyers -
Black Widow has improved exponentially over the past few years - transforming from an ineffectual sex object to a svelte superspy.
This modern adventure in high-tech espionage, part of the Marvel Knights line, is the Widow at her best to date. Although still a little prone to wandering around in her knickers, she's ditched the silly super-trappings and gone straight for the role as a lethal spy.
The entire plot is a raised finger to her past, and thank god for it. Siekiewicz's art - normally reserved for a much more psychedelic storyline - is solid, but feels slightly out of place.
Rated by buyers -
Richard Morgan takes a crack at writing comics and does a pretty good job, really.
This story examines the Widow in more depth, and not just as a sidekick or part of a team.
Morgan and company take her back to her roots as she discovers some nasty things about her past and why she is able to do what she can do.
A bit more of the science fiction spy story here, and definitely for adult readers.
Rated by buyers 
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The old favorite is Marvel Comics, which I devoured during my formative years. The new favorite is Richard K. Morgan, whose work I've been reading ever since he published his very first novel, _Altered Carbon_.
The combination is terrific. Natasha Romanova (the Black Widow) has always been a comparatively minor character in the Marvel lineup, and her treatment hasn't always been consistent. Here she finally gets the focused treatment she deserves.
Frank Miller and Alan Moore pretty much spoiled me for other comic-book writers (oops, "graphic novelists"), so it takes a lot to please me. Morgan isn't quite Miller, but his handling of Black Widow is at least in the same ballpark as Miller's run on _Daredevil_ and comparable in flavor to Miller's _Batman: The Dark Knight Returns_. The quality isn't quite there -- most notably because Morgan has a tendency to make his protagonist spout militant-feminist cliches a little too often -- but the approach is similar.
The story here is most definitely told on Morgan's own turf. I won't spoil anything for you, but be prepared for some revelations about Natasha's backstory that will satisfy both Marvel fans and readers of Morgan's noir SF. (Marvel readers may be pleased to know that Nick Fury is around as well -- and although Daredevil isn't, you'll at least spot Matt Murdock's name on Natasha's cellphone. Other readers have objected to the treatment of the relationship between Nick and Natasha, but I don't share their objections.) And yes, Morgan has cranked Natasha's brutality up several notches. I think that's a good thing all around, but your mileage may vary -- at least if you prefer your Cold War-era spies warm and cuddly.
The art by Bill Sienkiewicz and Goran Parlov is magnificent, of course -- consistently fine throughout, and some of the compositions are downright stunning. (And unlike Miller on Daredevil, Sienkiewicz and Parlov don't sometimes forget which body part they're drawing and make somebody's left leg sprout a right foot, or double the length of someone's sideburns between one panel and the subsequent and then add a mustache in the panel after that.) Dan Brown's colors are every bit as magnificent.
And more good news: apparently Morgan has an ongoing relationship with Marvel and has been doing some further work on Black Widow. I don't subscribe to any of the monthlies, so I'm looking forward to reading it when it's published in book format.
And hey, while we're rescuing second- and third-string Marvel characters whose potential hasn't previously been fully realized -- can we get somebody busy on Iron Fist, please? (As with Black Widow, there's been a movie in the works on and off for several years; a graphic novel like this one might be a big boost.)
Rated by buyers 
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Good fiction has a venerable tradition of subtly weaving relevant social commentary into the strands of its plot and character development. Sadly, what writer Richard Morgan has given us instead in "Homecoming" is an oversimplified, tired, and in-your-face message: Women are superior and they're victims, men are inferior and they're predators. And by virtue of her superiority and victim status, the Black Widow apparently has the moral justification to play judge, jury, and Punisher-with-extreme-prejudice to every man who wrongs her or another woman -- which, as it turns out, is EVERY major male character in this book! One reviewer praised this collection for not being misogynistic; but if fairness and equality truly mean anything, how can Morgan's swing to the opposite extreme be any better?
On page one a woman speaking at an abortion rights rally is brutally murdered. This story involves a conspiracy to kill all the women who went through the U.S.S.R.'s top secret Black Widow program. So of all the settings Morgan could have chosen, why this one? Because Morgan wants the reader to believe that people who don't share the feminist viewpoint must be small-minded, intolerant savages. So by contrast, are all of Natasha's acts of violence committed purely in self-defense with no hint of being judgmental? Well... not exactly.
Our heroine stabs a man who attacks her in the desert. When he won't talk about who sent him, she lets him bleed to death. She takes another man into the bedroom, ostensibly for some bondage love-play, and then threatens to castrate him if he doesn't talk. She sees two neanderthal-type truckers chase and grab a young woman; when they refuse to release her, Natasha, convicting them both as rapists, kills one and cripples the other. But she never hesitates to fall back on the sweet but helpless female stereotype -- that is, if she can use it as a weapon against a man.
In case anyone has missed the point, the sloganeering dialogue drives it right into the earth's core. "Like most men... he underestimates me," "What happened to the latest blonde? Silicone leak?" "...are you going to do the man thing and let me down?" "...I don't like guns... they're more than a little symbolically suspect" (so I guess we should ignore the cover image), "...you're not a woman. You're under no pressure to care about your looks or appearance," "...I was perhaps encouraged by irresponsible men to risk the damage," "The thought of a genuinely powerful woman as an active independent agent... well, you can imagine the reaction," and "It's what most women are up against. If you want to succeed, you've got two choices... pole dancer or hard-faced harridan." Hey Richard, I've known plenty of women who are successful who don't fall into either one of those categories, and they did so without ever sacrificing any of their feminine strengths or gifts.
Morgan catalogs every anti-female behavior perpetrated by evil men that you can imagine. The men lear at women, tell degrading jokes about them, and call them "baby," "sugar," and "bitch." They lie, cheat, steal, brainwash, assault, rape, torture, and murder. They give alcohol to underage girls and give dangerous drugs to women of all ages. They threaten to take away a woman's right to choose, take away a woman's ability to reproduce, and deny women equality in the work place and everywhere else. Yup, "All men are scum." And that's not me reading between the lines, that's right out of the script. The problem is not that Morgan is portraying things that don't go on every day -- any reasonable person would agree that they do -- but that every single man in Natasha's world is guilty of at least one of these crimes, whether he's an enemy, an informant, or a so-called ally. In one scene, Ms. Romanov admonishes her reluctant male assistant to "stop looking at my ass." She is bent over in front of a mirror, putting on make-up, and wearing nothing but lacy, skimpy, grey lingerie -- all rendered beautifully by Bill Sinkiewicz. Is she kidding?
You might think that the ultra-steadfast Nick Fury would be exempted from the Black Widow's team testosterone hit list... but you'd be wrong. He's in on the whole brainwashing thing, in a totally ludicrous and implausible way. Look, I'm not a continuity freak: any writer who has a legitimate and interesting reason for doing revisionist history on some characters should be allowed a free hand. But Nick and Nastasha have covered each other's backsides for decades. They've always done what was right for each other, whether or not it was easy or consistent with orders. They've had a mature professional and personal relationship based on mutual trust, respect, and loyalty. And yet there's not a single male-female relationship in "Homecoming" about which the same can be said. What creative reason did Morgan have for doing away with all of that? None, he just wanted to push an agenda: treat ... Read More
Rated by buyers -
As a previous reviewer mentioned, the Black Widow has been one of the lesser known and mishandled characters in the Marvel Universe. In the hands of novelist Richard K. Morgan, he has taken to the character back to the roots of her origin, focusing more on action, espionage, and story rather than exploiting a sexy drawing for adolescent boys to slobber over. The story concerns Natasha being thrown back into the spy game (as if she ever really left) after an assassination endeavor on her life. Soon, along with her male sidekick, she's kicking butt and taking names, all the while unraveling a conspiracy which evolves into the best Black Widow story Marvel has ever published. This TPB's only flaw is that it wears a bit thin towards the end, but the art by the great Bill Sienkiewicz is worth giving this a look at alone. All in all, if you've been looking for a mature and action packed mainstream comic, give this a look.
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