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Type of bind: Paperback
Dewey Decimal Number: 821.4
EAN num: 9780486442877
ISBN number: 048644287X
Label: Dover Publications
Manufacturer: Dover Publications
Quantity: 1
Page Count: 480
Printing Date: June 10, 2005
Publishing house: Dover Publications
Sale Popularity Level: 102812
Studio: Dover Publications
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First published in 1667, Paradise Lost is considered to be the greatest epic poem in English literature. Its roots lie in the Genesis account of the world's creation and Adam and Eve's expulsion from Eden; it also references tales from the Metamorphoses, the Iliad and Odyssey, and the Aeneid. Notes by John A. Himes.
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Rated by buyers -
Paradise Lost is English heroic verse of the very first order: pure, inspiring, instructive.
This Dover Edition is well organized and a delight to read.
Merry Christmas all,
Vince Parrett
Rated by buyers -
First off, let me say that we're not talking here about the famous Qi gong instructor named John Milton. We're talking about the famous 17th-century English poet who wrote _Paradise Lost_ and _Paradise Regained_, two of the most wonderfully overlong Christian poems in the history of Western literature.
Your English teacher will tell you that _Paradise Lost_ "narrates the story of Adam and Eve's disobedience, explains how and why it happened, and places the story within the larger context of Satan's rebellion and Jesus' resurrection." And you know that can't be far wrong, because SparkNotes says the exact same thing.
But the main reason everyone should read Milton's grand epic is that it contains certain secrets about prayer.
In PL, Milton reminds us how important it is, when we pray, to be absolutely specific. The Lord has a strange, often disturbing, sense of humour (PL, books I-XII). If you leave Him wiggle room, He will answer your prayer in a way you never intended, and then say it was your own damned fault, because your prayer contained seven types of ambiguity.
John Milton writes from experience. Example: Almost every time a good-looking woman passed within view of John Milton, he suffered an involuntary erection. Daniel of the Old Testament might well have suffered such a condition without complaining, but John Milton found it onerous. John was both a Puritan and a student of Saint Augustine. He was not happy when he suffered an erection, he hated it, and he especially resented the women who made that thing happen to him.
In a Latin letter to his friend, George Wither, John Milton reports that, in his youth, he would sometimes see a pretty woman even in his dreams at night, and suffer, not just an erection, but the whole nine yards, up to and including a nocturnal emission; which he trained himself to handle according to Scripture, thereby to purify himself (Deut. 23:10); but sometimes he was unable to wait that long before he handled it, which filled his soul full of Puritan remorse and self-reproach.
At age 33, the poet took to wife a 16-year-old lolita named Mary Powell; and you may already have guessed the reason why, which is that she gave him an erection -- more accurately, she gave him "one damned erection after another," without remission. (Giving John Milton an erection was not the girl's conscious intent, but it just happened to him, every time they met.) And since Christian marriage is Saint Paul's only approved method whereby to deal with that kind of torment, John Milton (being an honourable man) thought it best to marry the girl (1 Cor. 7:9).
Frailty, thy name is woman! After two years of marriage - after just two years of witnessing those insufferable erections that could not be beaten down, or at least, not for long - the poet's young Puritan bride ran away and skipped back home to live with her mother, Mrs. Anne Powell, who likewise gave John an erection; which is why John Milton resented his mother-in-law as well as his estranged wife.
Those were the hardest years of the poet's life - nothing but a daily struggle against involuntary erections, yet here he was, trapped in a loveless marriage to a barely pubescent teenager who lived with her entirely-too-attractive mother. Which is partly why John Milton wrote those four revolutionary Christian pamphlets, correcting Moses' and Jesus' hardline policy on divorce (Mark 10:11-12).
In his Latin correspondence, some of which is preserved in the Bodleian Library, John Milton reports that he was fine when alone in his study, or when hobnobbing with Parliamentarians, or even when having a hasty pudding, or a figgy one, over at the Inns of Court; but let just one good-looker cross his path, showing good ankle between the hem of her dress and the top of her shoe, and it was boing! - instant erection, just like a spring-loaded mechanical device; causing John to exclaim bitterly, "Oh, God, please, not again! Save me from this penal fire!"
It even happened to him once when Oliver Cromwell's wife, Elizabeth Bourchier Cromwell, bent over to pick up a handkerchief that had fallen to the floor. On that occasion there was a lamentable accident ("an hard mishap" [verbatim quote]) with John's ordinarily modest codpiece - an incident so humiliating that John never even wrote a poem about it, although he did apologise, profusely, to Oliver Cromwell, and to Mrs. Cromwell, who saw the whole thing, and then fainted. (John at the time was employed as Cromwell's Latin secretary.)
By the way: It was modesty, not arrogance, that moved John Milton, after that embarrassing incident, to wear a baggy codpiece, with plenty of wiggle room.
Which brings me back to the beginning, when I was explaining why you should give the Lord no wiggle room when you pray: John Milton took his problem to the Lord in prayer, stating in ... Read More
Rated by buyers -
A heafty volume for a thrifty price. Good binding, clean & easy to read font and enough room in the margins for notes if you are a student. A great side item if you get the Dore' engravings of Paradise Lost [which are just quotes from the book and not the whole poem] and want to read more than just the famous lines.
Unabriged and yet small enough to get away with lugging around.
Rated by buyers -
"'From almost the moment of its publication in 1667, Paradise Lost was considered a classic. It is difficult now to appreciate both how audacious an undertaking it represents, and how astonishing its immediate and continued sucess was. Over the course of twelve books Milton wrote an epic poem that would ''justify the ways of God to men,'' a mission that required a complex drama whose source is both historical and deeply personal. The struggle for ascendancy between God and Satan is played out across hell, heaven, and earth but the consequences of the Fall are all too humanly tragic--pride, ambition, and aspiration the motivating forces.' In this new edition derived from their Oxford Authors text, Stephen Orgel and Jonathan Goldberg discuss the complexity of Milton's poem in a new introduction, and on-page notes explain its language and allusions."
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