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Type of bind: Paperback
Dewey Decimal Number: 813.54
EAN num: 9780425143681
ISBN number: 0425143686
Label: Berkley Trade
Manufacturer: Berkley Trade
Quantity: 1
Page Count: 800
Printing Date: November 07, 2006
Publishing house: Berkley Trade
Sale Popularity Level: 65552
Studio: Berkley Trade
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Editor's Notes and Comments:
Amazon.com:
Quo Vadis for our times! Well, not exactly. It's been awhile since anyone tackled the Roman Empire as entertainingly as Gillespie has done in this book, a nearly-straight historical novel which should please readers of fantasy, too. Germanic Auriane is a combination of the noble, natural savage, and the heroine marked from birth for great deeds. Roman Marcus Julianus is the personification of the highest civilized, republican Roman values. Both are typical and atypical of their societies, fighting for what each believes to be just. Their individual struggles with the clashing Roman and Teutonic cultures are carried out in the Northern forests and in the salons and arena of Rome. Strongly- drawn characters, a setting both familiar and exotic (we all know something of imperial Rome, but very few of us are well-informed about it), a whiff of New-Age ancient mysticism, and a subdued but important romance subplot drive the sweeping novel of Auriane's growth and maturity and Rome's decadence.
Product Description:
On the day of her birth, Auriane received a mysterious amulet from a priestess-and a doubleedged prophecy of doom and glory. The daughter of a Germanic tribal chieftain, Auriane witnessed unspeakable horrors committed against her people by ruthless invaders. And when tragedy tore her family apart, she took the oath of a warrior, and vowed revenge. Tales of her brilliant swath of conquest carried as far as Rome, to the renowned statesman Marcus Julianus-who felt his destiny intertwined with Auriane's, and wore about his neck an identical amulet
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Rated by buyers -
I'll never completely comprehend the fact that this is her very first book!
Beautiful prose, characters that spring to life and roam in your mind, surprisingly insightful details of the ancient days, plots refreshingly free of cliche, battle & gladiatorial scenes that take your breath away and bring you to the spot, as if you are watching the whole event close-up, seeing, hearing and feeling each exciting, gory moves on the battlefields and arena yourself.
And then, of course, there's the breathtaking love story.
Though Marcus and Auriane meet face-to-face over half into the book,
this particular sub-plot of the story does not lag along the way, and it certainly lives up to general expectations when they finally come together.
Auriane's uncommon courage and strive for life and ultimate happiness - both of hers and the others - combined with Marcus Julianus's wisdom and wit comes in beautiful harmony in their endeavor to solace each other's lifelong pain; they are both fighters in their own ways.
Despite the length of the book (800 pg), I believe it'd be a rather fast read for everyone, not because it's easy to read, but solely because you won't be able to put it down and not think about it all the while.
A Stunning Masterpiece!!
Rated by buyers 
-
Donna Gillespie's The Light Bearer is an entertaining, substantive work, made even more impressive by being the author's very first novel. She cares for her characters, especially her two leads, Auriane and Marcus Julianus, who are likable, soulful, and passionate heroes. It is impossible not to root for them to overcome their enemies and come together as allies. Her research is evident in the amount of historical detail, particularly in her description of Chattian customs and rituals. Since many of the facts about the culture of Germanic tribes have been lost, she relies on educated speculation to authenticate her portrayal.
As a character, Auriane is appealing in that she straddles the limbo between Germanic tribalism and Roman civilization. While she firmly subscribes to her tribal customs, she is amazed and impressed by Roman advancements. Her tolerance of Rome and Romans distinguishes her from the Boudica, a British warrior maiden who is her closest real-life composite. I like how Auriane's quasi-Romanization provides conflict between her and her kinsmen.
The novel is more fiction than history. Auriane and Marcus Julianus are entirely fictional, although I am sure they inspired by true people and events. While it is possible that people like them existed, I do not believe it to be likely. Marcus Julianus's role in monumental events is too significant; anyone who would have effected such dramatic change would have been remembered. I think that the author could have learned from Gore Vidal (in Creation or the Narratives of Empire series) or Mary Renault (in The Praise Singer or The Mask of Apollo) who create memorable fictional characters who witness historical events but rarely incite them.
In my opinion, the novel's main weakness is the lack of complexity in the characters. On one hand, the heroes are unquestionably good and capable. They rarely make mistakes, and when they do, they turn out to be fortunate errors which lead to greater understanding of events or acceptance by others. On the other hand, the villains are monstrously evil, which is the novel's biggest failing. The author never attempts to humanize Domitian, Junilla, or Odberht, all of whom may have compelling causes for their villainy: Domitian and Junilla were persecuted under the Nero regime, and Odberht was disowned by his father. The author did not have to elicit sympathy for them, but she could have made an effort to make them more understanding. In particular, her depiction of Domitian is heavy-handed, lacking the realism or intricacy of Robert Graves's Claudius or Colleen McCullough's Caesar or Augustus. While history is sketchy about him, there is some consensus that he was an able administrator, which the author omits. I think that Gillespie could have done more with him by weighing his reign against Nero's and using the similarities and differences to pin down his character.
I also think that the novel would have been more digestible as two or three midsized novels than one colossal epic. The plot has numerous places where one storyline ends and another begins. These ending and beginnings might have better handled in separate works than in one book. The novel sprawls at times; as a series of novels, it might have been tauter and more focused. She could learn narrative control from Gillian Bradshaw, whose Roman novels are consistently engaging due to their economy of words and plots.
The fact that I am comparing Gillespie to accomplished, praised writers in the genre indicates her talent and potential. Mentioning a first-time novelist alongside Vidal, Renault, Graves, and McCullough is an accolade.
Rated by buyers -
This is a big book by any standards, 800 pages and is the result of years of research and study by the author into the culture, and history of Rome and the Germanic tribes. I found it fascinating, exciting and thought provoking. In fact everything that a good book should be.
The year is AD 83 and the Emperor Domitian has crossed the Rhine with four legions, approximately 24,000 men and they have not marched that far for the exercise. The German tribes have tried to maintain their independence for as long as they can, but against such might their resistance is futile. Thus begins this mammoth book that takes us from the heartlands of the Rhine back to the decadence and temptations of ancient Rome.
A young woman Auriane, daughter of a chieftain who was to become the most revered prophetess of the tribes is captured and taken to Rome as a slave. There her life is changed completely and everything that she stands for is brushed away like so much rubbish. But having known her destiny from being a child Auriane is not about to bow to the yoke of Rome without a fight . . .
Rated by buyers -
There is much I could say about "The Light Bearer" which has already been said, but as I don't review all the books in McCullough's Masters of Rome series (of which I've ready each book), I don't feel I can properly do justice to the greatness of this sweeping epic, which unlike McCullough's work, spans not just from Rome, but from a not well known Germanic tribe called the Chattians.
Gillespie does an amazing job of keeping Rome and Germania separate in writing details, with an inevitable connection between the two. Much is equally known about both the Chattians and the Romans as if written by two authors with the same writing style.
Some high points I point out are the very subtle rise of Domitianus's deranged paranoia and Caligulan/Neronian style reign, though the foreshadowing was a bit too obvious for my tastes.
Other interesting bits are the use and apparent source of commonly known modern things among the Chattians, such as the Goddess of the underworld, Hel, and the Eastre celebration, involving children dressed as rabbits and the hiding of colored eggs.
Because the flaws are so few and insignificant in the face of the greater elements, I think it's easier to point them out:
The writing is very sumptuous, but often at times it can get too dense and bogged down in details. This occurs mostly the very first time Auriane enters the Colisseum.
Also, the sex. I've become used to ancient historical novels writing sex scenes very metaphorically and obtusely, without using direct wording. Gillespie appears to take it to such an extreme, with the vividly flowery writing between Marcus and Auriane's lovemaking that it becomes like a dense poem jackknifing from the wonders of nature and life and the gods in an obtuse manner, you nearly forget that the two characters are having sex. So over the top is the writing, that the way Gillespie describes it, you'd think Auriane was having blinding orgasms at just Marcus's touch on her arm or chest.
With the state of Rome at this point, and the main character being a foreigner and enemy to Rome, it's inevitable that a bias against Rome would be drawn, but the male character of Marcus Arrius Julianus is so much the outcast that there is little distinction between how Auriane and Marcus view the Roman world despite their differences. Auriane views Rome as savage and barbaric, and a plague on Fria's realm, whereas Marcus views it in somewhat the same fashion, but figures it's all he has, so he may as well love it.
Aside from Julianus and some of the senators friendly to him, you'd think Rome was a festering pot of corruption, barbarity, and bloodlust the epitome of the Roman view of the barbarians, while the Chattians are viewed as pure, natural, children of the earth that can do no wrong and are victimized by everyone from Rome to their neighboring tribes. Any opposition to Baldemar, Auriane's father and chieftain of the Chattians, is viewed as petty greed and personal problems on the part of the dissenter.
Some forgiveable offenses include loose ends, which may be tied up in the sequel "Lady of the Light", or the as of yet unnamed second sequel, including both Marcus and Auriane having amulets of earth from their childhood, duplicates of one another, and Auriane's seeming mystical foresight.
All these flaws are minimal, in my view, and not much to drag the otherwise epic tale down a full star in rating.
There is one issue with both Auriane and Marcus Julianus which may detract some readers, though is apparently done in such a way that broad interpretation can explain it away as easily as it couldn't: Gillespie may be guilty of "Mary-Sue"ing with Auriane and Marcus Julianus. Both seem to be greater than their surroundings, meant for greater things not yet known to either, and with little to no flaws beyond what their separate societies have naturally imbued in them (stubborn traditionalism in Auriane, cynic realism in Marcus), and beautiful physiques. From a certain point of view, many of their actions or words appear to be Mary Sue-ish reflections of the author's own point of view (determined by the narrative) or of a sense of moral or social well-being beyond that of someone from ancient times.
Or this could simply be the tired ramblings of a fussy reader.
Either way, the over 1000 page epic was a great read, and a highly insightful view into how the Germanic tribes of the early Roman Empire, and the early Roman Empire itself may have been.
Rated by buyers -
The Lightbearer is truly an amazing read. Once I began it, I couldn't pull myself away from the spell of Auriane, woman warrior, fighting for the survival of her embattled Germanic tribe against the all powerful Roman army. The characters are so richly drawn, I had an immediate sense of our shared humanity, despite the remoteness of their times. I was captivated by the vivid descriptions of these two worlds, sometimes hauntingly beautiful, sometimes disturbingly barbarous, always artfully rendered through Gillespie's exquisite prose. This is definitely a page turner filled with passion, struggle, heroism, and intriguing myth. With this carefully crafted tale Gillespie enters the arena of master storyteller.
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