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Type of bind: Paperback
Dewey Decimal Number: 799.32
EAN num: 9780375705090
ISBN number: 0375705090
Label: Vintage
Manufacturer: Vintage
Quantity: 1
Page Count: 96
Printing Date: January 26, 1999
Publishing house: Vintage
Release Date: January 26, 1999
Sale Popularity Level: 2669
Studio: Vintage
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Product Description:
This intriguing, influential work of literature—an outstanding way to experience Zen—is now available on cd
It is almost impossible to understand Zen by studying it as you would other intellectual pursuits. The best way to understand Zen is, simply, to Zen. This is what author Eugen Herrigel allows us to do by sharing his own fascinating journey toward a comprehension of this illuminating philosophy. In Japan, an art such as archery is not practiced solely for utilitarian purposes such as learning to hit targets. Archery is also meant to train the mind and bring it into contact with the ultimate reality. If one really wishes to be master of an art, technical knowledge of it is not enough. One has to transcend technique so that the art becomes an “artless art” growing out of the Unconsciousness. In this way, as the author simply, clearly demonstrates, archery becomes a path to greater understanding and enlightenment.
Amazon.com:
So many books have been written about the meditation side of Zen and the everyday, chop wood/carry water side of Zen. But few books have approached Zen the way that most Japanese actually do--through ritualized arts of discipline and beauty--and perhaps that is why Eugen Herrigel's Zen in the Art of Archery is still popular so long after it very first publication in 1953. Herrigel, a philosophy professor, spent six years studying archery and flower-arranging in Japan, practicing every day, and struggling with foreign notions such as 'eyes that hear and ears that see.' In a short, pithy narrative, he brings the heart of Zen to perfect clarity--intuition, imitation, practice, practice, practice, then, boom, wondrous spontaneity fusing self and art, mind, body, and spirit. Herrigel writes with an attention to subtle profundity and relates it with a simple artistry that itself carries the signature of Zen. --Brian Bruya
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Rated by buyers 
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This is the famous little book that Minor White advised his pupils to read. It's an account by German professor Eugen Herrigel of several years of archery lessons with a Japanese archer in the 1950s. My review is written with photography in mind, though the principles discussed in the book can be applied to many arts.
If you have an interest in photography, should you read it?
Here are a few quotes from this little book in which I have taken the liberty of replacing archery lingo with photography lingo:
1. "...fundamentally the [photographer] aims at himself and may even succeed in hitting himself."
2. "Do you know why you cannot wait for the shot and why you get out of breath before it has come? The right shot at the right moment does not come because you do not let go of yourself. You do no wait for fulfilment, but brace yourself for failure."
3. "If [the photographer] is to fit himself self-effacingly into the creative process, the practice of the art must have the way smoothed for it. For if, in his self-immersion, he saw himself faced with a situation into which he could not leap instinctively, he would very first have to bring it into consciousness."
If these ideas interest you, then this book is for you. It is a pleasing and thought-provoking little book, written in a conversational manner lacking the overcomplicated lingo and "isms" of most philosophical and spiritual texts.
Rated by buyers 
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This is not a book on kyudo. As Earl Hartman says in another review, Herrigel did have little contact with kyudo in Japan (3-4 years). This book could be about many interesting things (zen, misticism, ...), but I don't know of them. But it's not a book on Kyudo. It seems more a book on Herrigel himself.
I don't says this is the worst book someone can read if is interested on kyudo. Last years saw apearing one or two terrible book's with kyudo in title.
Should be read with precaution and specially doesn't substitute pratice and guidance from a teacher or a master. Many persons come to kyudo allready knowing this book but after a few sessions they give up. and many of them continue to claim that they know about kyudo only by reading this book.
Rated by buyers -
For me this book is very first and foremost about Zen. Students of Japanese archery can come to it to take their craft to another level but for me the archery is just a mantle for the teachings to sit on. I've been studying Zen for ten years or so, and have read many great works on the subject. This book was a gentle reminder, ushering me back onto the path. It's wisdom can be applied to almost anything. For a more in depth look at some of the discussions in this book, see Suzuki's Zen and Japanese Culture.
One reviewer, with whom I disagree, says that this book is not a valid source of Zen because the master archer in the book had never "studied" Zen. I think he came in touch with the Zen Mind through his art. The Sixth Patriarch Hui Neng had never "studied" Zen either and came by his enlightenment through living life and carrying fire wood. "Studying" Zen, in terms of following the rituals of an institution, can be formative but is not necessary. Zenmind existed long before the Zen religion.
So whether you're studying Japanese Archery or looking to deepen your awareness of your own art (I study painting, music and Tai Chi), this book can help if you're ready for it.
Rated by buyers -
there's an old adage in the acting world..'don't give a performance, let the performance give you'..so what does that have to do with this book? well, I read this wonderful book a few years back when I was studying acting in NYC and I really worked hard at incorporating some Zen technique into my acting process..it wasn't easy..but I stuck with it and I feel as if I reached a different level consciousness and ability with my craft. This book is a wonderful teacher for the ways of Zen and incorporating those lessons into real life events not just archery.
Rated by buyers -
This book had a real influence on my early spiritual development. I read it when I was a teenager; the impression I was left with was one of discipline, self-mastery, and the difficulty of the art of archery. I loved the author's earnestness and sincerity. For some time, I shot my own bow with what I took to be the spirit of the Zen approach. I wished I could travel to Japan and learn from a master.
From where I sit now, I'd have to acknowledge that this book is more a description or a memoir, rather than an actual guide. That is, for one determined to walk the spiritual path, this book will be more an inspiration than a manual. For some, that may lead to frustration.
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