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Type of bind: Hardcover
Dewey Decimal Number: 821.3
EAN num: 9780312499440
ISBN number: 0312499442
Label: St. Martin's Press
Manufacturer: St. Martin's Press
Quantity: 1
Page Count: 128
Printing Date: October 15, 1982
Publishing house: St. Martin's Press
Sale Popularity Level: 727431
Studio: St. Martin's Press
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Product Description:
John Donne's standing as one of the greatest poets in the English language is now thoroughly established, and critics such as T. S. Eliot and F. R. Leavis have found in Donne's poetry qualities profoundly responsive to the modern age. While Donne is famous for his religious poetry, his love poems are among the most beautiful ever written, and this collection brings them together for the very first time.
Donne was a man who knew all the many faces of love-- physical passion, jealousy, rapture, grief and parting-- and possessed the genius to distill his experiences into poetry. The potency of his writing has lost none of its effect; Donne's love poetry taps the reservoir of feelings and emotions common to all human beings.
Before Donne was ordained as a priest in 1615, he wrote sonnets (such as 'The Dream' and 'The Ecstasy'), elegies (such as 'To His Mistress Going to Bed' and 'Love's Progress'), and wedding songs ('St. Valentine's Day' and 'Epithalamion'), all of which glitter with an eroticism that truly marries body and soul.
Charles Fowkes, author of a critically acclaimed biography of Rembrandt and several anthologies of short stories, has gathered those poems in which Donne is most passionate and most lyrical. The result is this lovely volume- the perfect gift for every beloved, a book of poems to press flowers in and to keep by the heart.
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Rated by buyers
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This lovely volume beautifully designed on creamy white paper brings to the reader the love poems of John Donne (1572-1631). A comprehensive and sympathetic introduction by the editor Charles Fowkes accompanies it. Mr. Fowkes sets out to explain the background of Donne's poetry and the influence thereof on his own life. But anyone who intends to read Donne should be well prepared. Although his use of language is colloquial, it's riddled with allusions. Donne certainly had a vivid and intense imagination. Further I think that familiarity with authors from the sixteenth or seventeenth centuries would be an asset.
Expect no cozy love poetry here. Donne's attitude is defiant and aggressive. He certainly knew all of the stages and emotions of love ranging from rapture to deep despair. The young Donne's disrespect for women and his intense sexuality might perhaps put some readers off. Though the courtship and marriage to Anne More (in 1601) would bring a change. In terms of class Anne was by far Donne's superior, and her father forbade the marriage. Yet Donne had deeply fallen in love, and put his career on the line to marry Anne secretly. It cut him down in arrogance. Anne died in 1617, worn out by her yearly pregnancies (Donne had quite an appetite).
The reader can track the courtship and marriage of Anne and John Donne throughout the poems. But often Donne will address an imaginary lady. As Mr. Fowkes indicates the background of his poetry is difficult to pinpoint. And add to this the fact which we should also not forget, that Donne was a Catholic who converted to the Anglican Church and felt guilty about it.
A complicated man harbouring many selves and souls. Even though I may not agree with Donne's aggressive ways in several poems, he expresses himself with such an intensity and passion (that I cannot avoid him), which makes up for some of the most compelling and brilliant poetry ever written in the English language.
Rated by buyers
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The voice of Richard Burton reciting John Donne is a magical combination. Burton has the flair that captures the feeling and intensity of this poet. Donne, known for his writing ability, his technique is known as conciet, can be dense to read. Burton opens up the words and the meanings with his rich voice and perfect inflection.
Whether you are timid about poetry or love John Donne, this is the point of no return.
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