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Type of bind: Paperback
Dewey Decimal Number: 821
EAN num: 9780140424553
ISBN number: 0140424555
Label: Penguin Classics
Manufacturer: Penguin Classics
Quantity: 1
Page Count: 496
Printing Date: June 28, 2005
Publishing house: Penguin Classics
Sale Popularity Level: 115217
Studio: Penguin Classics
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George Herbert combined the intellectual and the spiritual, the humble and the divine, to create some of the most moving devotional poetry in the English language. His deceptively simple verse uses the ingenious arguments typical of seventeenth-century metaphysical poets and unusual imagery drawn from musical structures, the natural world, and domestic activity to explore a mosaic of Biblical themes. From the wit and wordplay of 'The Puley' and the formal experimentation of 'Easter Wings' and 'Paradise,' to the intense, highly personal relationship between man and God portrayed in 'The Collar' and 'Redemption,' the works collected here show the transcendental power of divine love. This vast collection includes all Herbert’s English poems, selections from his Latin poetry with translations, his major prose work A Priest to the Temple, and Izaak Walton’s Life of Herbert.
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Herbert is ordinarily classified along with Donne, as a Metaphysical poet i.e. one who use extreme metaphor and makes connections between completely diverse matters to forward a rough and energetic argument in verse. Herbert is , as I sense it, gentler than Donne. He is a more quiet devotional poet, one with deep religious faith. There is a certain sense of his humility and great power of concentration in his devotion.His love of music plays a central role in the metaphoric structure of his work.
Among his often anthologized poems are " The Collar" " The Pulley" "To the Jews" "The Altar"
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I'm a solid atheist. I also love Herbert's intimate dialogue and often battle with his God. Stylistically, he dominates better known poets of the Metaphysical era, such as Donne. His backround as a musician comes through in all his work. He inherits the Metaphysicals' use of vivid metaphor. He looks ahead to Gerard Manley Hopkins in his fusion of music,image and conversation. "Love bade me welcome" and "Prayer" are among the jewels of poetry.
If you are religious, Herbert will be of great comfort in his deep and moving spirituality. If you are not, that spirituality is still so compelling and resonant that you will feel with and for him. He in many ways reminds me of Emily Dickinson: the poet of the quirky, gentle, wry and elegaic short poem. Do read Prayer with its lovely last line "something understood" and Love with its last line "And I replied, my Lord."
Herbert os a treasure. In my sixties, I respond to him with the same respect and warmth as in my twenties when I very first discovered him.
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Over the centuries, there has been a great deal of Christian poetry written by a broad range of poets, but only a tiny handful of that can stand comparison with the very best nonreligious poetry. The later poetry of John Donne, Milton, Dante, some of the early American Puritan poets, and the poems of Gerard Manley Hopkins does not quite exhaust the list, but it consumes most of it. And, of course, George Herbert stands at the head of any such list. Of all these poets, Herbert is probably my favorite as a religious poet. By that, I mean someone who is religiously satisfying while at the same time writing exquisite poetry. There is simplicity of expression in Herbert that is missing in Donne, and a personal piety that I do not find in Milton, whose poetry, while unquestionably religious in spirit, is somewhat spiritually dry. One wouldn't read Milton to inspire piety. Hopkins is brilliant, but I find myself focusing on his over alliteration.
George Herbert was one of those either fortunate or unfortunate younger sons of a landed family who was forced to enter the Church because the family title passed onto his older brother. That brother, very nearly as well known as his younger brother for his own writings, Lord Herbert of Cherbury, was the author of several books, including what could be regarded as the very first history of comparative religion written in England. The religions compared were not, however, Christianity, Judaism, Islam with Buddhism and Hinduism or with so-called primitive religion, but with Greek, Roman, Jewish, and Christian religions.
This is an excellent edition of Herbert's poetry, but one should note the title carefully. Herbert, in fact, wrote a fair amount of poetry in Latin. That unfortunately, is not included either in original form or in English translation.
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Other poets can write about the beauty of the woman that they love, but Hebert writes of the true source of beauty, the source that most deserves praise in poetry: God. Hebert's poetry is a tribute to God, for whom he gave up everything to go into ministry. A musician, Herbert writes much of his poetry in a way that is almost musical, and may have at one time been set to music. A collection of his poetry can be an incredible devotional tool for personal reflection and praise. It can also be wonderful to study in the classroom because of his brilliant use of literary devices. My favorite poem of his is The Holy Scriptures. For a taste of Hebert's beautiful tributes... "Oh book! Infinite sweetnesse! Let my heart suck ev'ry letter...."Your heart will suck every letter from Hebert's beautiful poetry.
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