Books : The Man Who Was Thursday: A Nightmare (Penguin Classics)

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Author name: G. K. Chesterton

 : The Man Who Was Thursday: A Nightmare (Penguin Classics)
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Type of bind: Paperback
Dewey Decimal Number: 813
EAN num: 9780140183887
ISBN number: 0140183884
Label: Penguin Classics
Manufacturer: Penguin Classics
Quantity: 1
Page Count: 192
Printing Date: August 07, 1990
Publishing house: Penguin Classics
Sale Popularity Level: 326559
Studio: Penguin Classics




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Editor's Notes and Comments:

Product Description:
Can you trust yourself when you don't know who you are? Syme uses his new acquaintance to go undercover in Europe's Central Anarchist Council and infiltrate their deadly mission, even managing to have himself voted to the position of 'Thursday'. In a park in London, secret policeman Gabriel Syme strikes up a conversation with an anarchist. Sworn to do his duty, when Syme discovers another undercover policeman on the Council, however, he starts to question his role in their operations. And as a desperate chase across Europe begins, his confusion grows, as well as his confidence in his ability to outwit his enemies. But he has still to face the greatest terror that the Council has - its leader: a man named Sunday, whose true nature is worse than Syme could ever have imagined...

Amazon.com Review:
In an article published the day before his death, G.K. Chesterton called The Man Who Was Thursday 'a very melodramatic sort of moonshine.' Set in a phantasmagoric London where policemen are poets and anarchists camouflage themselves as, well, anarchists, his 1907 novel offers up one highly colored enigma after another. If that weren't enough, the author also throws in an elephant chase and a hot-air-balloon pursuit in which the pursuers suffer from 'the persistent refusal of the balloon to follow the roads, and the still more persistent refusal of the cabmen to follow the balloon.'

But Chesterton is also concerned with more serious questions of honor and truth (and less serious ones, perhaps, of duels and dualism). Our hero is Gabriel Syme, a policeman who cannot reveal that his fellow poet Lucian Gregory is an anarchist. In Chesterton's agile, antic hands, Syme is the virtual embodiment of paradox:
He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful endeavor to walk about with a hat and nothing else. His father cultivated art and self-realization; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinthe and cocoa, of both of which he had a healthy dislike.... Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left--sanity.
Elected undercover into the Central European Council of anarchists, Syme must avoid discovery and save the world from any bombings in the offing. As Thursday (each anarchist takes the name of a weekday--the only quotidian thing about this fantasia) does his best to undo his new colleagues, the masks multiply. The question then becomes: Do they reveal or conceal? And who, not to mention what, can be believed? As The Man Who Was Thursday proceeds, it becomes a hilarious numbers game with a more serious undertone--what happens if most members of the council actually turn out to be on the side of right? Chesterton's tour de force is a thriller that is best read slowly, so as to savor his highly anarchic take on anarchy. --Kerry Fried



Customer Reviews
User popularity level:  out of 5 stars

Rated by buyers 5 out of 5 stars - Sparkling prose littered with gems
To this point in my life, I've now read three works by Chesterton: his epic poem The Ballad of the White Horse and his biography of Saint Thomas Aquinas. The Man Who Was Thursday is a completely different work from the abovementioned pair. It is subtitled "A Nightmare" and that's exactly how it reads.

Thursday starts out like a quirky spy/detective novel, but as the plot progresses, it becomes obvious that this is no typical pot-boiler. It is well to keep in mind when reading this book that Chesterton was a master of paradox--and Thursday is riddled with paradoxes. Indeed, the whole book is a paradox to some extent. In an interview recorded in a biography by Maisie Ward, Chesterton once summarized Thursday by saying: "In an ordinary detective tale the investigator discovers that some amiable-looking fellow who subscribes to all the charities, and is fond of animals, has murdered his grandmother, or is a trigamist. I thought it would be fun to make the tearing away of menacing masks reveal benevolence."

To summarize what happens in Thursday is to give away much of what makes this book an enjoyable read, so I will refrain. But the plot is almost coincidental to what makes this book interesting. It is a mere plastic tree (if an oddly shaped one) upon which Chesterton hangs a myriad of literary ornaments. The book is simply littered with gems which sparkle even out of context. Here are two of my favorites:

"We deny the snobbish English assumption that the uneducated are the dangerous criminals....We say that the most dangerous criminal is the educated criminal. We say that the most dangerous criminal is the entirely lawless modern philosopher. Compared to him, burglars and bigamists are essentially moral people."

"The poor have sometimes objected to being governed badly; the rich have always objected to being governed at all."

The Man Who Was Thursday can be read and appreciated on two different levels--as an entertaining bit of absurdity that, in some sections, prefigures a Monty Python routine, or as an allegory with significant theological depth. I enjoyed it a great deal on both levels.

To conclude, let me simply say that this is the kind of book that I will need to re-read at some future point, perhaps a couple times, to make sure I didn't miss anything. Fortunately, Chesterton's prose is so merry and brisk that the re-read will be a pleasure rather than a trial. However, if you are the type of reader who demands significant character development, a standard plotline, and is offended by Christian spiritual content, I'd forget about this one. It's not the book for you.



Rated by buyers 4 out of 5 stars - Early terrorism thriller
Today it's al Qaeda... in Chesterton's time it was anarchists, ("no government is good government," sort of early-period extremist Libertarians).

But here Chesterton spun a fascinating tale of a policeman who goes under-cover to foil a bomb plot. The seven anarchists involved use day-of-the-week code names; thus, our policeman becomes "Thursday".

As you approach the end of this fine work you might ask yourself, "Where the heck is this thing going?" But just hang in there -- it makes total sense when all is revealed.

While I don't consider this work a real genuine page-turner, it did manage to maintain my interest. For me, this is Chesterton's Magnum opus.

I highly recommend this 1908 book to anyone who is interested in thrillers, mysteries, and/or British literature.




Rated by buyers 2 out of 5 stars - Vapid and more than a little pretentious
Most people find themselves unable to clearly express their ideas not because those ideas are brilliant, but because they are jumbled. I think Chesterton belongs to this latter sort. The book contains few original thoughts, although it does retell some basic philosophical problems semi-competently. That's about all there is to it--and, well, the prose is good. The action is vague and hackneyed--like a hollywood blockbuster. The characters are stilted, lifeless and asexual. One has to smoke a lot of good pot or watch a lot of bad movies beforehand if one wishes to find this stuff impressive.



Rated by buyers 5 out of 5 stars - Your blue sock is behind the dryer.
I went into reading this book with such strong misconceptions concerning what it was about. Like the characters whom see things completely different it seems like the readers of this book see its meaning quite differently as well. It is a crazy allegory but of what?

On a stylistic level Chesterton's prose is unique and well crafted. Chesterton has his own voice in his writing powerful, artful, and clear. On an abstract level I can't help but feel I got something out of the book but I am at a loss to say what. I was told, long ago, that the book was about the futility of much of what passes for philosophy and the book was a mockery of this in the promotion of faith and traditional religious devotion. I only vaguely got the notion that the book was about this. I could see how the book was about the futility of judging others or creating "us" verse "them" groups because we are all brothers, the ideas and classifications we use to classify each other are futile and meaningless and make a mockery of humanity in the eyes of God, so go with the established/ traditional way of doing things otherwise one is really in rebellion with oneself; but I don't know for sure if that is correct.

Bottom line though is it was a fun book to read.




Rated by buyers 4 out of 5 stars - Chesterton hits close to home with this thriller
I wasn't sure what to expect when I was given this book by a friend - all I knew is that Chesterton is an amazing writer and I was not disappointed in the least after reading The Man Who was Thursday. The story is intriguing and moves the reader along page by page until one is almost finished with the book before even knowing it. The characters are interesting - and as one person commented about the book - the real characters are the ideas, not the individuals themselves. Chesterton is a master at communicating ideas and then embodies those ideas in characters which connect to the reader. This "psychological thriller" is more than just a quick, easy and entertaining read - it is actually quite provocative and in some sense unnerving in the same way that Huxley's Brave New World seems to strike too close to home in today's culture.

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